Photo finish!

Having taken lots of PR photos for Newport Playgoers' production of 'The Hound of the Baskervilles' it was nice to see them used in the South Wales Argus. Even nicer was the fact that one of my photos was used on the cover of the paper's weekly Guide supplement.

Thanks very much to the Guide's editor Andy Howells - and I recommend you visit his amazing website where he writes about everything from 'Dad's Army' to Doctor Who:
http://andysretrospace.blogspot.co.uk/

Victor Mature versus the Mau Mau

Barely able to move I lay on the settee today and watched 'Safari' starring Victor Immature and the lovely Janet Leigh (a few years before Hitchcock had her stabbed by a psycho in the shower).

Amazing film on many counts, not least because the African bearers, despite having a rich musical heritage of their very own, chose to sing a Jamaican calypso as they bounced across the plain on top of a truck. 

The lyrics mentioned every African animal and just by chance they all went past when their name came up. Also featured a rhino charging mercilessly at a shop window dummy and tossing it in the air. Those rhinos, eh.

Vic was bent on revenge as the Mau Mau had killed his (very annoying) son. All that was left was the toy tank Vic had given him. Needless to say, Vic took that tank on safari with him.

Janet Leigh went down the river in a bright yellow dinghy for a lark and was menaced by dozens of crocodiles before going over a waterfall. She survived that only to be menaced by a dozen more crocodiles. We've all had days like that.

Making "ghosts" for 'Blithe Spirit'

Recently I had the pleasant job of photographing members of the cast of Newport Playgoers' production of Noel Coward's supernatural comedy 'Blithe Spirit'.

The play is about a man who, for a dinner party amusement, arranges for a medium to come and hold a seance - which conjures up the ghost of his first, mischievous wife, Elvira. Only he can see and communicate with her - much to to the consternation of his present wife.

In the play, Charles Condomine (David Constant) 

accidentally summons up the spirit of 

his dead first wife, Elvira (Eloise Rossiter) 

much to the annoyance of his second 

wife Ruth (Rosamund Jones-Griffiths)

I thought it would be good to use Photoshop to actually create a ghostly image of Elvira and these are the results, achieved by taking two photographs and overlap them using layers, then adjusting the opacity and adding a slightly green filter to give a spooky effect.

These are the results. Next project is to make a video trailer for YouTube in which a see-through Elvira talks about the play - and hopefully entices people to come along and see what promises to be a truly haunting production. Noel Coward’s sophisticated comedy ‘Blithe Spirit’ is at the Dolman Theatre from Wednesday 12^th – Saturday 15^th September at 7.15 pm, with an extra matinee performance on the Saturday at 2.30 pm. To book tickets call 01633 263670 or visit www.dolmantheatre.co.uk. More information is available online at www.newportplaygoers.wordpress.com. New members are always welcome to become involved both onstage and behind the scenes!

The beauty of Scrivener

After using it for a trial period, I’ve taken the plunge and purchased Scrivener – a great tool for writers that makes Word seem a redundant way of creating everything from novels and academic dissertations to plays and scripts.

I first used it to write a stage play and quickly discovered there are a number of different templates depending on what sort of writing you’re doing. 

When you start a new project the menu offers a variety of formats for stage, film and radio plays as well as novels and short stories. It’s easy to create your own templates too so you write exactly the way you want to write. 

Like other script-writing software, Scrivener remembers your characters’ names so you don’t have to type them in each time. Simple keyboard shortcuts enable you to go into capitals or change where you type on the page depending on whether you’re adding stage directions, action, characters or dialogue.

Fair enough. But where Scrivener scores top marks is in its ability to store everything you need for the project you’re working on in one place and put it all just a mouse click away. I found the enormous benefits of this when I recently re-discovered a book I was writing about my childhood in the back streets of Birmingham. I had abandoned the project because I had tons of information – photos, records, artwork, scraps of unfinished writing - scattered everywhere and it was proving more than a little unmanageable.

Everything can be added to reference folders.
Here's some of my artwork that I may include in the finished book.

Using Scrivener I am able to bring it all together and organise everything to make it totally accessible. Scrivener has two main panes – a binder on the left containing folders and text files and the main writing screen which doubles as a corkboard to show you the contents of each folder.  You can also add an information window on the right for keeping notes.

The corkboard  provides a useful overview of chapters,
characters, settings and scenes

It was easy importing my draft chapters and putting them into a folder. Then it was just a case of creating folders for all my research material – photos, maps, screengrabs images and webpages could just be dragged and dropped where I needed them.

 I was able to view each folder as an index card in corkboard mode – so draft chapters could be moved around into the order I wanted. This is also useful when planning plotlines for a novel or script, or creating characters or settings.

Photos and other images can be viewed in groups or individually. 

By splitting the screen I am able to view my research material as I write. So I can look at mind maps I have created around various topics and expand on these to create new sections of the book. The beauty of it is I am able to write as many documents as I like, then re-arrange them to make a chapter.

Scrivener also backs up my work automatically so I don’t have to worry about losing anything. There’s a snapshot feature too which keeps a copy of a draft that I can refer back to if things go haywire and I need a quick look at an earlier version.

When I finally finish my book – and it won’t be anytime soon, I can tell you because memories spark more memories – I can export my finished work to Word, or better still use the Compile feature which enables me to use one of the templates for exporting to eBook or Kindle.

Scrivener has loads more features – and it’s available for Mac or Windows as a 30 day free trial. Just click on the link below. I should add that I am in no way associated with the makers of Scrivener – just a keen fan of their product. It's a writing tool designed by writers for writers.

Download free trial of Scrivener here: http://www.literatureandlatte.com/scrivener.php

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Creating 'The Hypochondriac' poster

In an age when you can download anything from the internet, copyright of images is always a problem. So when I designed the posters for Newport Playgoers' 88th Season (2011/12) I decided to create a series of posters that had a corporate look, each one featuring an original piece of artwork.

For some weird reason I actually designed the posters chronologically working my way through from the first to the last in the season. So the final one I did, with a sigh of relief, was for 'The Hypochondriac'. This was great fun to do - and not just because it was the last of nine posters. The play is a hilarious re-working by legendary Liverpool poet Roger McGough of Moliere's classic comedy. I knew it needed a caricature face - an anxious man suffering from 'le malade imaginaire' (that's your actual French).

I spent a long time drawing various pen and ink versions of the face until coming up with one that I was happy with, complete with worried expression and nightcap. After scanning it into my PC, I set about adding colour using a marvellous (free) program called Artweaver. Much like Photoshop, it enables you to work in layers and employ various brushes to get different styles.

Once the hypochondriac himself was finished I set about drawing various medicine and pill bottles - the shape of which I researched on the internet. Again these were scanned in and coloured. Finally I put all the artwork together using Adobe InDesign, jigging the ingredients around until I had the poster below.

For more information about 'The Hypochondriac' visit http://newportplaygoers.wordpress.com
If you want to try out Artweaver you can download it here: http://www.artweaver.de/

'Poor Yorick' Rides Again

Really looking forward to reprising my play 'Poor Yorick' at Blackwood Little Theatre as part of the Gwent Festival of One Act Plays. It proved successful when it was premièred at the No Holds Bard festival at the Dolman Theatre in mid-March.

Since then I have revised the play and re-cast two of the parts - my wife Caroline takes over from Clare Drewett as Yorick's lady friend Bess and David Eynon-Williams steps into the ghostly shoes of Hamlet's late father.

'Poor Yorick' tells how Hamlet’s jester tries to pioneer stand-up comedy but fails and is forced to return to Elsinore to get his old job back, only to become embroiled in Hamlet’s plans for revenge. Complete with busty tavern wenches, domineering mothers, ghosts and the invention of the exploding whoopee cushion, it promises to be a laughter-packed production.

Bruce Campbell, Sue Morgan, Chris Powell and Will Smith-Haddon
in the No Holds Bard production of 'Poor Yorick'

It was one of four one act plays that won a competition organised by Newport Playgoers as their contribution to the nationwide Royal Shakespeare Company’s Open Stages project. One of the plays that was a runner-up in the competition, 'In The Spirit Of Things' by Steven Quantick is being staged by Playgoers New Generation at Blackwood, while Dolman Youth Theatre present another Shakespeare-inspired play, 'Bottom's Dream'. Both of these are also being produced at the Studio Theatre at the Dolman from 12th - 14th April.

Tickets are available online at http://gwentdrama.weebly.com/ or  http://www.ticketsource.co.uk/blt. Alternatively, customers can phone 01495 223485.

Countdown begins to No Holds Bard!

So we’re a mere 13 days away from the opening of the No Holds Bard festival, which features my one act play ‘Poor Yorick’ – and panic has begun to set in as we’ve yet to run the play all the way through..

Yorick (Will Smith-Haddon) makes himself at
home in Hamlet's (Chris Powell) room
at Elsinore

 Focusing on Hamlet’s story as seen through the eyes of his court jester who has gone on tour pioneering stand-up comedy, the play is at least getting plenty of laughs from the cast during rehearsals.

It’s quite a cast too! Will Smith-Haddon is great as Yorick, the clown who’s ahead of his time with his observational humour – “What is it with the Black Death? That's a bit depressing isn't it?” 

Yorick (Will Smith-Haddon) and Bess
(Clare Drewett) may not have much but at least
they have each other

Clare Drewett plays his bawdy wench girlfriend Bess who specialises in knocking back ale and making rat stew. Chris Powell excels as a whinging Hamlet who is fed up of his moaning mother, Gertrude – played to perfection by Sue Morgan in a glittering gown, tiara and Marigold gloves. Bruce Campbell makes a brief appearance as a surprisingly chirpy ghost of Hamlet’s father, offering words of advice such as "Don't drink the wine".

Yorick and Hamlet discuss vacancies for court jester
while Queen Gertrude (Sue Morgan) attempts to
clean the room

The festival is Newport Playgoers’ contribution to the Royal Shakespeare Company’s Open Stages project which aims to reunite the worlds of amateur and professional theatre. With four plays offering a mixture of slapstick, bloody sword fights and romantic mix-ups it promises to be an evening of lively entertainment that gives a thoroughly modern take on Shakespeare and turns his plots into plays for today. For more information check out http://newportplaygoers.wordpress.com/

We're all really excited that our local newspaper, the South Wales Argus, is sponsoring the festival.  Please come along and support us from 15 – 17 March at the Dolman Theatre, Newport. Tickets, which are just £5 and £7, can be booked by phoning the box office on 01633 263670 or visiting www.dolmantheatre.co.uk.